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Download PDF The Complete Peanuts Vol. 3: 1955–1956 By Charles Schulz

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The Complete Peanuts Vol. 3: 1955–1956-Charles Schulz

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Ebook About
The third volume in our acclaimed series takes us into the mid-1950s as Linus learns to talk, Snoopy begins to explore his eccentricities (including his hilarious first series of impressions), Lucy's unrequited crush on Schroeder takes final shape, and Charlie Brown becomes...well, even more Charlie Brown-ish! Over half of the strips in this volume have never been printed since their original appearance in newspapers a half-century ago! Even the most dedicated Peanuts collector/fan is sure to find many new treasures. The Complete Peanuts will run 25 volumes, collecting two years chronologically at a rate of two a year for twelve years. Each volume is designed by the award-winning cartoonist Seth (It's a Good Life If You Don't Weaken) and features impeccable production values; every single strip from Charles M. Schulz's 50-year American classic is reproduced better than ever before. This volume includes an introduction by Matt Groening (The Simpsons) as well as the popular Complete Peanuts index, a hit with librarians and collectors alike, and an epilogue by series editor Gary Groth. 2005 Eisner Award winner, Best Archival Collection/Project.

Book The Complete Peanuts Vol. 3: 1955–1956 Review :



Schulz is a master so he earns five stars by default but there are some things you should know...* These are sadly all black and white, even the Sundays that were printed in color. Luckily, there is a second series of books that contains all the full-color Sundays. Just search for 'Peanuts Every Sunday'* Each volume contains a brief introduction by some famous fan of the strip. They're vaguely interesting but I've never bothered to read any of them all the way through.* If you're crazy anal as I am note that there are two slightly different versions. If you want them all to match on your shelf then take VERY careful note of the exact publisher and edition.* Finally, take careful note of the evolution of the series. The very early strips from the 50s are almost like a totally different strip. If buying for a gift, you might consider one of the later books in the series. Completists will want them all but if the receiver is on the fence then the 50s isn't the place to start.
When I read the comics page in the newspaper, I find some good strips and some bad ones. Often the most annoying are what I call "institutional" strips: they haven't been funny in years or even decades, but they've become institutions and no one is willing to get rid of them. Peanuts, however, was always something of an exception: it was an institution, but it remained decent, even if in later years it was not quite the same caliber as it once was. There's a reason that modern comic artists (for example, Matt Groening in this volume) write glowingly about Peanuts; it was good. I doubt there is similar appreciation for Marmaduke, Heathcliff or Momma.The comic strips in this volume are fifty years old, yet with limited exceptions (such as references to Davy Crockett hats), they fit just as well today. Some of the characters have disappeared over the years: what every happened to Patty, Violet or Shermy (or the loud-talking Charlotte Braun)? Other characters have yet to appear, significantly Peppermint Patty, Woodstock and Sally. But the core characters are here in this book, with their identities still evolving.Snoopy is beginning to develop his alternate identities, practicing with being various animals (pythons, alligators, etc.) which will (in future volumes) develop into full-blown alternate personalities such as Joe Cool and the World War I Flying Ace ("Curse you, Red Baron!"). Lucy is a world-class fussbudget filled with incorrect information that she loves to impart to others. Linus still has his bursts of childishness, but is showing the signs of his budding genius, able to erect massive snow forts and blow up square balloons.In the end, however, it is Charlie Brown who is the centerpiece of this comic, the ultimate hard luck character who the world seems to conspire against; the other kids often treat him poorly and even things like kite-flying go awry when he does it. It is the Lucy-Charlie Brown relationship that causes the most aggravation for our hero; a typical series of strips will have Lucy debating an issue with him and instantly changing the subject as soon as she is proven wrong.Deceptively simple in their presentation, the Peanuts strips actually is filled with dark humor and angst. Yes, the only characters are kids (and a dog), but Schulz never relies on cuteness. Both fun and funny, this is a worthwhile read for both children and adults.

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Download PDF The Complete Peanuts Vol. 3: 1955–1956 By Charles Schulz Rating: 4.5 Diposkan Oleh: victormal

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